Showing posts with label Marvin Gaye. Show all posts
Showing posts with label Marvin Gaye. Show all posts

Tuesday, February 08, 2011

Top 10 Male R & B Vocalist of All Time

I thought of the concept for this article after reading a story written in the New York Times by Anthony Tommasni on his list of top ten composers. Albeit I am certain that most of the readers of this periodical are not too concerned with Bach or Debussy, most are with R & B music. Add to that that the Grammy’s are around the corner, what better way is there to get prepared? So I have dropped the gauntlet, which would you choose and who would select as number one? Here is my list with a small caveat and why. The caveat being that I intentionally left off Michael Jackson and Prince for they are relegated in their own categories.

1] Luther Vandross: My number one. Luther is the E.F. Hutton of R & B – when Luther sings people listen. I cannot name one time when I was with a woman, from high school to now, that I was unable to let Luther do my talking for me. All of his albums exuded love and emotion and the facile truth embodied when one thinks of that special person.

2] Marvin Gaye: My close second is the ultimate in smooth. His voice, music and the way in which he played the piano made him special plus the fact that in each song and word he sings one can hear his struggle with life in his music. Marvin was special, so special that he could make a song about war sound as moving as a love duet.

3] Al Green: This Memphis crooner was special. I have not seen women fall for a man like they did Al ever, maybe with the exception of Marvin Gaye and Maxwell. Al Green was the master of seduction and introduced the world to Southern Soul. He won 8 GRAMMY Awards including every years from 1981 to 1984.
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4] Otis Reddy: One of the two on this list that were taken from the world two early. Let my mother tell it, he was the most influential soul singer of the 60’s. I remember hearing his music all through the house all day long. He had a spontaneous that was completely different from the Detroit sound. But just as Marvin, he too sang of Love and the struggle of black people.

5] Maxwell: Representing the new school, Maxwell is a throw-back and could have held his own with the great vocalist from the 60s to the 70’s. You know a person is special when after a long break from music he can come back at the drop of a dime and drop a hot album without blinking an eye.

6] Teddy Pendergrass: This man has always had pipes and the ability to make women come out of their panties with a single stanza of a song. He had this gift early on when he was singing with Harold Melvin and the Blue notes. The way in which he can control his voice is what makes his ballads must have for any collector. Turn off the Lights.



8] Keith Sweat: From “Nobody” to “Make it last forever”, this man knows how to write music and deliver a song. To this date he remains one of the top selling R & B vocalists ever.


9] Frankie Beverly: Performing with the legend at group Maze, this man is the epitome of melodic. He has been performing for more than over 30 years since 1977. He has almost 30 hit singles and eight gold records. The word that describes him best is consistency.

10] Gerald Levert: They say the apple doesn’t fall far from the tree. This is true when we speak of the deep and timeless vocals sang by Levert. Called the Velvet Teddy Bear, he was the son of Eddie Levert from the O'Jays. The question is why did such a great voice have to leave us at such a young age.

Tuesday, June 29, 2010

Chris Brown, Others, Out 'Ignoranting' One Another

Gil Scott-Heron wrote the celebrated, militant poem "The Revolution Will Not Be Televised." The title, which has become a popular mantra, means that thinking is paramount and, unfortunately, not a common practice. Featured on his 1971 album, "Pieces of Man," the lyrical poem describes how media transformed into a medium that keeps individuals, especially African Americans, from thinking. Although Scott-Heron’s piece focused on television, his concept also applies to radio.

As a child growing up in Memphis, music was one of the most socially responsible mediums for communication, political and social activism. This was even applicable to R&B music; although it was one of the most expressive vehicles for transferring the amorous feelings of love, during the Civil Rights era, the music was used to lend voice to important social commentary reflective of the needs of the African American community. In fact, most popular artists consistently used their music for this purpose, producing some of the greatest love songs known to this genre. Whether it was Aretha Franklin's "Respect," which spoke of equality for black women, Marvin Gaye's protest of the Vietnam War in "What's Going On," or James Brown's "Say It Loud, I'm Black and I'm Proud," music tended to reflect the needs of the community and collective more than the selfish avarice of the individual.

Today, there are few such artists with a focus and dedication that would allow them to sing for the betterment of the African American community. Instead of Marvin Gaye, James Brown, and Sam Cooke, there are the Dream, Pleasure P, Chris Brown and Trey Songz. These individuals, albeit talented, lack substance and often sing about the same topics.

Looking at Trey Songz, it appears that most of his songs are about sex; titles include clear messages -- "Sex for Yo Stereo", "No Clothes On", "Make Love Tonight", "Just Wanna Cut", "Neighbors Know My Name" and "I Invented Sex." One would imagine that a conscious and responsible adult would be able to sing about subjects beyond sex, and I am certain that he could if he tried; however, his focus may be elsewhere. Perhaps he doesn’t know the history of the music that’s representative of the community from which it originates.

Throughout history, we African Americans have used music as a tool to tackle prejudice and racism. It appears that this practice is no longer lived or perceived as vital and may even be considered by some to be unappealing or worse unimportant. The question is, will music ever continue the legacy of Marvin Gaye's "Make Me Wanna Hollar" or Sam Cooke's "A Change is Gonna Come"? I cannot answer that, for it seems that most current artists in hip hop and R&B are more interested in being carbon copies — content on "out ignorating” each other. It is obvious that the revolution will not be on the radio either …